Austinato

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Friday, 27 January 2012

It Could Happen To You

Posted by austinato at 11:42 pm 1 comment:

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HOMAGE 2014

Featuring the Charlie Austin Trio with Vancouver's Rene Worst on bass, and Mike Gillespie on drums, HOMAGE is a token of the gratitude I have for all the friends who have helped me along the way. I would like to thank these two musical players who contributed so much to the spirit and quality of this recording, and who both played with great support and musical thought.

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Diminished Perspectives 4 Piano score, Symmetrical Dim

This is a piano score of the previous lead sheet example (found in Diminished Perspectives 3) of Diminished 7th function and voicing and v...
Bliss Hunt

Yeah music. Concentration in the studio — targeting bliss and having it land in the musical moment. Preparation minimalist. OK a big one is ...
Thrive arrive alive bee hive Behave

Interesting devolopments in the You Tube: "Thrive" clip (over 2 hours long) and I'm not through it all yet. Talks of technolog...
Dolly

My Mom: Both my younger sister and myself were born war babies. My Dad was in the army in Nova Scotia (he [we] lucked out when they found ...
Ode to Altered Dominant Scales

My friend KMO has discovered the whole culture of jazz found in the Altered dominant scale. We were looking at triads superimposed over basi...
Diminished Perspectives 5: Polarized Passing chords with Extensions

I thought it might be fun to do a little exploration of the (Bebop type scale) where there can be essentially 2 polar harmonic entities: 1) ...
Pitch Wrap

Whoa !! I never did claim to know anything. I taught at music outlining large yet essential (I still think so) ideas about harmony especiall...
The 'Sound' One (S1) voicing used in progression

The Sound One (S1) in chord progressions, used exclusively to create that jazz piano (or guitar, or arpeggiated for horns) sound: I once r...
Diminished perspectives...chords that is

Diminished chord function..... 3 (or more) essential kinds and approaches... My friend and colleague Bobby Cairns (my hero/mentor) said the ...
Bebop Cliché Lines Exploding From The 4 note 'Sound' Chord in V7 Chords.

This is a follow up from the previous blog on Bebop Cliché, and closes the book on this topic for a while. Ok it's been a while but I ...

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4GS (A—E) from single starts (S). 7th chord shapes. Familiar territory. 96 shapes derived from primary GS. 1235. A single impetus Al Muirhead All About Jazz Forum ALS not an easy exit Altered Dominant Scale Andreas Weghner Arni May Articulation Audrey Ochoa Autobiography of a Yogi Azukars B3 back-8ths Barry Harris Bebop cliche Bebop cliche in min ii—V. bebop scale Bill Emes Bill Evans Billy Martin bipolarity myth.. slash chords of the diminished chord kind Black Radio Blue Chair Bob Tildesly Brett Hansen Brett Miles Brittany's Charlie Parker Chord color transformations.. Chord-Scale-Theory Chris Andrew Chris Donnelly Chris Hedges Chris Wood CL's service Clave clutching Come Rain or Come Shine comparison conversation peace Cuba Dan Davis Dan Fortin Dan Weiss Dave Morgan David Liebman David Virelles Continuum differences Diminished 7th chord dimensions.. DimMa7 Drum Lore Dwayne Hyrnkiw Dynamics Ear-inserts Edmonton International Jazz Festival Efa Etorma EKOSingers enthrivement epiphany Ernesto Cervini F7(b5) FdimMa7 finding " 1 " First recorded release Fmi7(b5)... fun G13 lines leading from FMa7[b5]/G Garlic Lick Generic Shapes Generic Shapes in Rotation (1—20). Basic note order change (BP (1—6). Gilbert Martinez Glauco Venier Go to the beginning. Greg Smith GSA GSB Application Happens every x Hariharananda Harpsichord hemp hearts History's lessons Hockey revelations HOMAGE I Get A Kick etc... improv pilgrim's progress Inputs out-puts Intensity Internal Rotations..4GS numbered. 4GSA—E. Rotations as shapes unto themselves.. related rotations. intervals of Laughter introversion iPad It Might As Well be Spring its a scale part. 1234 tetrachords. Basic Permutation Jamie Cooper Jamie Smith Jazz Guitar Theory Forum Jeffrey's Jennifer Scott Jim Head Joel Miller John Medeski John Scofield John Taylor Josh McHan justification of chord/scale choice. Klaus Gesing Kodi Hutchinson Latin Leonard Patterson life in it. Life is good losing weight Ma7(b5) Ma7+5 Magilla Funk major or minor. tendency. Mallory Chipman Marty Majorowicz Matt Graham Medeski Scofield Martin & Wood Micro/Macro. Gestalt Mike Gillespie Minor ii V Imi Mo Lefever Mob scene Montuno Montunos music heart advocacy Myriad3 Neural Net Training Nola's Norma Winstone note order Obama Obvious solutions/creative solutions Paul Richey Paul Richey and the Fusionauts permutations Piano idea... keeping the acoustic piano alive. Piano tuning piano moving PJ Perry Plethora of detail infinitudes. Polarized passing chord topic can include ppc from other chord qualities practicing practise for progress Primary GS 1245. Basic Permutations paired privatization issues quiet mind amidst danger and upheaval. quiet time Rameau recording red light fever diet of bell peppers reincarnation Rene Worst Rez Abbasi Rich Brown Rotation RPL freedom through the discipline fun with RPL as chord extension and moving lines Rudresh Mahanthappa Rudresh Mahanthappa's Gamak S2/min 3rd scale tone 7ths Sequential. 96 GSC permutations. Set Theory diminished notation application inspiration for our Souls solo piano St. James Infirmary. Trombone in the band Staggered Starts. Steigerman Steve Gallant stories Stu Millman Suitcase Fender Rhodes Swing Sym dim/dom voicing exploration.. TAO of improv... phrasing temptation Thank you Dad Thank you Mom The new three R's The Sound Thinking beyond the corner... horizon Thom Golub Timbale Timbao Times That Do Not Belong To Us........ Tommy Banks Torus-apart music-theory-thought inspiration triadic transformations Neo-Riemannian theory Tuning Tyler Hornsby Tyson Kerr V13 bII13 I V7alt bII13 I Vanity Venue musical philosophy musical citizenship musical growth. what is entitlement truly work ethic Writer's Guild Yardbird

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