I was in Vancouver about 2 summers ago and heard Chris sit in one of the fabulous jam sessions at O'Doul's on Robson St.... I had a chance to play a tune with Mike Allen's simultaneously stunning and reassuring rhythm section (Julian MacDonough-drums). and Adam Thomas on Bass). I had a revelatory time —really comfortable as I played a tune I knew fairly well: Embraceable... They didn't know it but let me play the changes a time or 2 and leaped in and ecstasy followed. Before I knew it, it was over.
But I digress. (My apologies to Chris Gestrin)
Chris Gestrin was there and sat in on the session and did about a 3 second casual piano warm up that was so sleek, musical, breathtaking on a miniature scale—he has a touch-less touch, if you know what I mean. That got my attention!
I had met him a couple of times before and had his original recording of quartet with tenor sax entitled: Times That Do Not Belong To Us...It's Impeccable, beautiful, spiritual, meditational and moving —not to mention swingin'... all original material. It's a stunning album and I highly recommend it (I had talked to him about it and he was considering re-releasing it).
His manner in person is an understated projection of clarity—in his thinking and talking. As a matter of fact he reminds me of all people: Glenn Gould. A very deft and to-the-point thinker. He is well known as a B3 Hammond player which reflects his funkier bluesy side. You can hear Chris Gestrin and his B3 on a recently released album "The Maverick" by the Edmonton wunderkind saxophonist Jerrold D. to get a pretty good idea of what Chris does there (I own and enjoy a copy).
I have most of Chris Gestrin's albums and this particular track caught my ear and resonated in the mind. So, being inspired as I am impressed I decided to put it down in this form... Dear reader, thank you for bearing with me.
This Music:
“Melody That Is”
This Music, like spiritual glue, binds
vertical/horizontal dimensions to the Heart
supports
fractality, a continuing event-
horizon superimposed
In the now, the nowness
Of the ever-present.
Fracticallity evolving involvement involving
urgency in the play of vibration
ever an evocation ever true
intelligence in the perfect
means of golden means detail
informs the broader form: informing-synchronicity
generates a continual flow
of proof, proving pure intention
and informed moving touch
moving dimensions
from place to place in place
in a naturally natural
committed dance of pure
thought:
a complimentary issuance of beauty.
No comments:
Post a Comment